Joseon women’s secret universes are in verses: Classic K-Poetry to Try

Written by on October 25, 2013 in Arts, Worldwide Korea Bloggers

Although I loved Heo Yeon U’s character in the fantasy sageuk “The Moon that Embraces the Sun”, I must admit that part of me found it hard to believe that a woman like her existed in the Joseon Dynasty. It was, after all, a time when women existed to serve family and home while men took care of things like politics, ethics, and acquiring and keeping property.

Photo from the MBC TV drama "The Moon That Embraces the Sun"

Photo from the MBC TV drama
“The Moon That Embraces the Sun”

Consequently, Korean women were not allowed access to education at the level that men received. That is, although Confucian ethics emphasized education, women were educated only on things like maintaining proper homes and keeping themselves virtuous in terms of conduct, speech, appearance and chastity, obedience, and duty.

Heo Yeon U was different from characterizations of Joseon women. She was smart, strong-willed and brave. She expressed her mind freely, just as she was raised in what seems to me as an unconventional Joseon household. She was the opposite of what Confucian ethics dictated.

It was amazing, too, how her passion for reading and writing went unhindered. I loved how meticulous she was with the quality of paper she used as she was about her words. I imagine this must be how real life Joseon women poets expressed their passions, even in secrecy.

I recently came across this book called The Poetic World of Classic Korean Women Writers by Lee Hai-soon and translated by Hur Won-jae (Ewha Women’s University Press).

Photo from OpenLibrary.org

Photo from OpenLibrary.org

The book showcases the works of 13 women poets from the Joseon era, a time when women’s writings and opinions were kept to, and circulated, among themselves. During the Choson era, educated women wrote kyubang kasa, meaning “lyrical verse of the inner room” which they shared with fellow women.

At that time, the male-dominated society they lived in was also a hindrance for women writers seeking to publish and gain recognition for their writings. So we are very lucky to be reading these women’s preserved works now. Moreover, we are also lucky to be writing freely in our present time.

Among the 13 women writers in this book, what I loved most is the works of Korean poet Heo Nanseolhon (1563-1589),허난설헌 who is regarded as one of the leading female poets of her time. According to the book, Nanseolhon distinguished herself from other women poets of her time through her critical take on society and the literary world.

A picture of Korean poet Heo Nanseolheon (1563–1589). Taken from http://en.wikipedia.org/wiki/Heo_Nanseolheon.

A picture of Korean poet
Heo Nanseolheon (1563–1589).
Credit: Wikipedia.

Her poems can be classified into two bodies of work. She wrote a number of kyubang kasa after her marriage. These poems, according to the article Women and Korean Literature by Helen Koh “lamented her solitary existence as a wife and mother.” Aside from these, Nanseolhon also wrote poems in the Taoist tradition which delved into topics such as “immortality and fantastic journeys through nature”.

She led a sad family life since she was not favored much by her mother-in-law and her two children died at a young age. This sadness translated to melancholy and bitter poems.

Personally, I feel that I gravitate to her poetry for an emotional intensity that is tempered by a critical eye and social commentary, such as the 3rd stanza of Contemplating One’s Sorrows:

A photo of the yangban, or noble class, during the Joseon Dynasty. Photo from http://www.newworldencyclopedia.org/entry/Yangban

A photo of the yangban (top, right), or noble class, during the Joseon Dynasty.
Credit: New World Encyclopedia

Noble family in the East, their influence like a burning flame
Sounds of song fill the high loft
Neighbors in the North, poor and naked
Live hungry in hovels
Should the family strength sway overnight
They shall envy their neighbors to the North
Fortune and ruin change according to the times
Escaping heaven’s law is a difficult thing. (The 3rd Stanza)

I also love her poetry for its beautiful imagery, which speaks to women and their experiences, such as this poem:

Orchid Photo credit: http://3.bp.blogspot.com/_kOhMVzYEa1I/SwTWifdXlrI/AAAAAAAAA3Y/U3u3n3W347Q/s1600/Orchids:pink.jpg

(Western) Orchid
Credit: here

Lilting lilting the orchid beneath the window
How fragrant its leaves and branch
One breath of autumn wind
Sadly it will fall under the autumn frost
Although its beauty fades
Its clear fragrance will never die
My heart aches before every living thing
My sleeves are wet with tears.

Nanseolhon died on her 26th year. To honor her memory, her brother compiled her poems to leave her legacy to future generations of Koreans as well as international audiences like us.

As you may have noticed from my blog entries thus far, I am curious about how Korean women in ancient and modern times live. I’m glad to have stumbled upon this book containing Heo Nanseolhon’s poetry as it gave me a glimpse of Korean women’s experiences, which, come to think of it, may not be so much different from ours.

Sources:

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About the Author

Mitzie Correa

Michelle Camille Correa is a Filipino graduate student, majoring in Korean Studies in a university in Thailand and a university in Korea. When people ask her why this roundabout way of learning about Korea, her reply often would be, "Because it sounded like a good idea at the time." When she's not buried in books, she watches Korean TV dramas and movies on the internet. She is deeply indebted to fan subbers whose extreme dedication allows language dummies like her to enjoy K-dramas with ease.